Plaques explaining slave trade links will be added to Guildhall statues of William Beckford and Sir John Cass: Theologian descended from one of their slaves slams ‘moral failure’ of not removing monument
- City of London Corporation initially voted to remove both statues in 2021
- But decision was rejected and plaques will be added in the New Year
Two statues paying homage to prominent City of London figures William Beckford and Sir John Cass are set to have plaques fixed to them to explain their links to slavery.
The City of London Corporation’s Policy and Resources Committee had voted in 2021 to remove them from their historic Guildhall headquarters.
But officials then opted to keep the statues and instead install plaques to explain how the two men were involved in the slave trade.
Now, the corporation has been granted planning permission to fix a plaque to Beckford’s statue early next year.
A plaque will also be added to the depiction of Cass, but planning permission is not needed because it does not reside in the Grade I listed Great Hall.
However, the decision to keep the statue of Beckford has been slammed by a theologian whose descendants were enslaved by him.
Writing in The Guardian, Robert Beckford branded the move a ‘moral failure’, saying it ‘underplays the radical evil of slavery’s racial capitalism and its continuing destructive consequences for people racialised as Black.’
Beckford was a two-time Lord Mayor of London in the late 1700s who accrued wealth from 13 sugar plantations in Jamaica that were made productive by 3,000 slaves.
He had inherited large sums of money from his grandfather Peter Beckford, who had originally established the family’s plantations.

And Cass was a merchant, MP and philanthropist active in the 17th and 18th centuries.
He also profited from the slave trade due to the fact he held shares in the Royal African Company.
With money from his will, trustees set up Sir John Cass’s Foundation to support education in London in 1748.
His charity funded the Sir John Cass Foundation School. Through a series of moves and mergers this became part of the City of London Polytechnic – now London Metropolitan University.
The City of London Corporation’s Policy and Resources Committee initially recommended the two statues’ removal in the wake of the Black Lives Matter protests in 2020.
But then a new statues working group rejected the plan and said they should stay.
The City has since worked with Culture&, an arts and heritage charity, to commission designers, writers, poets and an inter-generational panel to decide how to update the statues.
But, airing his criticism of the decision to keep the Cass statue where it stands, Mr Beckford wrote: ‘To me – a descendant of the people he enslaved – the decision feels like a moral failure.’

He added: ‘As a Jamaican-British man and a descendant of those whom Beckford exploited and murdered, I believe that leaving the statue in a prestigious place, even with a note of explanation, is morally reprehensible.
‘Or, in the words of my Jamaican grandparents, it is “devilish”.’
Munsur Ali, the chair of the City Corporation’s culture, heritage and libraries committee, said: ‘Whether cast in lead or sculpted in marble, the statues to Beckford and Cass signify a deeply shameful period in the City’s history.
‘My colleagues at Guildhall are working closely with many talented individuals and organisations to ensure that this project is handled very sensitively and that, no matter how we try to contextualise this period in our history, these two men’s actions are called out and condemned in the strongest possible terms.’
City Corporation policy chairman Chris Hayward added: ‘This is the next step in our journey in addressing, in an open and honest way, the City of London’s historic involvement in the horrific slave trade.
‘We have been reflecting upon, and recognising, this terrible chapter in our history, and we are united in our commitment to ensuring that people from all backgrounds feel safe and welcome in a modern, inclusive and forward-looking City.’
Dr Errol Francis, the artistic director of Culture&, said: ‘It has been an honour to work with City Corporation representatives, and the designers, fabricators, poets, writers, and the intergenerational panel to make this important project happen.
‘We look forward to the unveiling of the plaques when the public can gain a better understanding of the historic links of the City of London with the transatlantic trade in enslaved Africans.’
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Harry Howard