Theatregoers watching Sheridan Smith’s under-fire West End performance were heard whispering ‘I don’t get it’ to each other during the interval, MailOnline can reveal.
Fans had turned up for Opening Night at the Gielgud Theatre just hours after it was announced the musical was to close two months early, with producers blaming a ‘challenging financial landscape’.
The play, which sees Smith play a star with medical health problems who unravels on stage, had received mixed reviews from critics.
While some audience members told MailOnline the show was ‘a bit disjointed’ but they were planning on ‘sticking with it’, others were already starting to nod off before the half-time break.
One tired theatregoer was seen falling asleep during the performance, with his head slowly lowering before being abruptly woken by Sheridan Smith’s loud singing.
Others who had paid £55 for their tickets decided to walk out and not return for the second half of the show.
Defiant fans had insisted Smith would ‘bounce back’ as they turned up to watch her musical after it was announced the run will end on Saturday May 18, two months earlier than originally planned on July 27.
MailOnline found empty seats at the theatre on Thursday evening’s performance, with a notable absence even in the front row.
As the show got underway, jokes were met with ‘bewildered stares from the audience with friends looking at each other as if it say “I don’t get it”‘, a reporter watching the play said.
At the intermission one man was seen asking his wife, ‘Do you get it?’, to which she shrugged.
In the foyer, audience members stood around looking confused. One woman with an empty glass of wine asked her friend ‘do you think we need another one?’, before they both laughed and walked over to the bar.
One theatre-goer said as she enjoyed a cigarette at the interval: ‘To be honest, it’s a bit disjointed. It’s quite difficult to follow but I’m sticking with it. I’ve paid for my ticket, I’ve been looking forward to it, so I’m going to see it through to the end.’
Meanwhile, some fans had been forced to bring their theatre trip forward after the theatre contacted them to warn that the much-slated play was to close early.
But before the play began, fans were looking forward to it and insisted Sheridan Smith would ‘bounce back’ from the critical disaster.
Nicki Shepherd, 53, and daughter Emily Dicker, 18, from Guildford, said they received an email saying their original June performance would not now go ahead.
Emily said: ‘I think it’s really interesting to know why ticket sales haven’t gone as planned.
Nicky added: ‘We got an email earlier on saying that our performance in June had been cancelled.
‘So we can either get an exchange for an earlier date or a refund. We couldn’t do an earlier date because Emily is at university. So we thought we’d come today last minute.’
Emily added: ‘The reviews have been mixed but we’re both big theatre fans and Sheridan Smith is such a wonderful actress so we had to see it.’
Veteran Radio presenter Alex Lester and his wife Kerry said they didn’t regret turning out for the show branded ‘muddled’ and ‘boring’.
Kerry, 62, said: ‘We’re both big Rufus Wainwright fans and when we went to see him in concert he said how much he loved Sheridan after meeting her.
‘So we just decided we wanted to see the show.
Former Radio 2 host Alex, 67, added: ‘We’re not at all put off by the cancellation and if we didn’t go toa show because of a bad review then we’d never see anything at all.’
Another fan, who gave her name as Caroline, said: ‘I came because of Sheridan- she’s such a great actress. She’s been brilliant in all her TV dramas so I couldn’t miss the chance of seeing her live.
‘This is a disappointment for her, sure, but she will bounce back. She has had a bad press but she keeps coming back. She’s so versatile.’
One wheelchair-bound fan said as he went in: ‘It’s a great shame but I haven’t seen it yet. I’m a big fan of Sheridan and a big fan of Amy Lennox.
‘The reviews have been very mixed but I always like to make up my own mind. I don’t regret buying my ticket- let’s wait and see.’
Announcing the news on Thursday, the show’s production team said that the play ‘may not have had the life we had hoped for’.
Sheridan recently implored people to come and see the show after it was slammed by theatregoers who claimed it was ‘boring’ and walked out half way through.
However, it seems her plea wasn’t enough to mobilise audiences for the poorly reviewed play – directed by Ivo Van Hove and with music by Rufus Wainwright – which producers have now admitted was ‘always a risk’.
Sheridan was seen smiling, dressed down in a sweater and jogging bottoms, as she came away from the theatre after last night’s performance.
She was given moral support by her friend Charley Webb who had attended the show, as well as words of wisdom and encouragement from fans who had gathered at the stage door.
Charley popped to a nearby shop to buy cigarettes and biscuits before the pair set off in the same car.
Announcing the early end of the run today, producers Wessex Grove said: ‘It is an honour to produce this beautiful new musical in the West End, and everyone at Wessex Grove is proud to have delivered the artistic vision of Ivo Van Hove and Rufus Wainwright and their incredible team, led by the exquisite Sheridan Smith.
‘In a challenging financial landscape, Opening Night was always a risk and, while the production may not have had the life we had hoped for, we feel immensely proud of the risk we took and of this extraordinary production.
‘Our world class cast delivers a brilliant show night after night, and there are still five weeks left to see Sheridan Smith in the role of a lifetime. What is sure-fire and safe has its place.
‘But Wessex Grove exists to produce great artists in the West End and to provide the space for original, artist-led productions in the commercial sector, productions exactly like Opening Night. We’re grateful for all of the support everyone has given us as we made this show, and look forward to celebrating the rest of the run.’
It comes just days after the musical was hit by another issue when Sheridan was ‘banned’ from leaving the theatre due to a nearby crime scene.
The show is performed in a venue situated between two pubs in London’s West End, naturally attracting rowdy drinkers.
During the show, Sheridan’s character Myrtle Gordon goes out onto the street to perform a scene while the audience watch from a screen inside – which has been surprising and sometimes fooling passers-by outdoors.
Myrtle, who is a functioning alcoholic actress, is filmed slumped outside the stage door, however her regular routine was interrupted by a police incident nearby.
She told The Chris Evans Breakfast show on Virgin Radio: ‘Security wouldn’t let me go out too far the other night because someone was being arrested and restrained.
‘I was like, ‘It’s fine, it doesn’t matter and they were like, ‘No, no you can’t go too far over that way’. So I had to start the scene a bit closer to the stage door.’
Sheridan also revealed that the location of the theatre can cause issues, as drunk revellers sometimes come and try and help her up.
She said: ‘It’s right between two pubs, so people are all outside hammered and they want to come and try and help me.’
Director Ivo has today defended the play, describing leading lady Sheridan as ‘brave’ for accepting the complex role in the production.
He said: ‘I had the most wonderful and inspiring time making Opening Night thanks to the talent and commitment of our incredible cast and production team.
‘They were led by the exceptional Sheridan Smith, who had the bravery to play such a complex role in the West End. I try to be fearless and sincere in everything I make.
‘With Rufus’s beautiful music, we made something totally unique and true to John Cassavetes’ daring exploration of the human condition.
‘It will forever have a special place in my heart. It is always sad when a show closes early but I know that Opening Night will live long in the memories of those who saw it and made it.’
It was revealed earlier this week that ticket prices have been slashed for the show.
Sheridan stars as Myrtle in the new musical – which is based on the 1977 drama film starring Gena Rowlands.
However fans have been left baffled and bored by the production, with scores of theatregoers streaming out of the show nearly every evening since its March 6 debut, complaining about the bewildering plot.
Reporters who attended Opening Night at the Gielgud Theatre saw at least 50 audience members leave during the interval on two separate evenings last week. Staff at the theatre confirmed it was a regular occurrence.
‘Sheridan has been a resounding success but the show itself has been far from it. To say it’s been polarising is an understatement, reports of theatre goers walking out at the interval have really worried some of the investors,’ a source told The Sun.
‘No official meeting has been held yet, but a number of them have spoken about how they would go about serving notice on the theatre and cutting the run of shows short.
‘At the end of the day, even though it’s entertainment, it’s a business and they are worried that poor ticket sales will mean they don’t make their investment back.
‘Sheridan is a saving grace for Opening Night because of how good she is on stage, but even her star power can’t get the crowds in.’
The insider added while Sheridan’s stint in Shirley Valentine last year was a resounding success with tickets selling out, there were still lots available for Opening Night which is ‘turning into a disaster’ for bosses.
In an attempt to fill up the audience, Sheridan herself begged fans to attend the production as she admitted she feels ‘so much pressure’.
Speaking to Scott Mills on his Radio 2 show on Tuesday, she confessed about performing: ‘I get terrified, it’s worse as I get older.
‘I was fearless when I moved to London. Now, there’s so much pressure.’
Begging listeners to purchase their tickets, she added: ‘It’s absolutely fascinating and fun… please come!’
The musical begins with Myrtle (Sheridan) left traumatised by the death of a teenage fan.
Sheridan – who exclusively told MailOnline she took on the role to ‘take control’ of her own demons – can be seen outside the theatre as Myrtle, turning up late to the first night of the show after taking a drop too much.
She said: ‘It feels like a moment of taking back control.
‘I feel like the part is a gift, it’s a gift of a part for any actress to play and I’m loving every minute of it, it’s such an honour. I can’t wait for people to see it now.’
Tickets have already been slashed for the show and are being sold on London Theatre with a 36 per cent discount meaning prices now start at a mere £25., with ShowFilmFirst also selling them for the same price.
Previously, front row tickets would have set theatregoers back £176 but can now be purchased for £110.
Among the underwhelmed theatregoers who have been heading for an early exit was Helen, 59, an admin worker for the NHS, who went with a friend.
She said: ‘I didn’t have a clue what was going on. It’s not Sheridan – she’s a great actress – but I was falling asleep.’
Another leaving early was Annie McCabe, 64, who went to the show with her husband. ‘It was too wacky for me,’ she said. ‘I loved Sheridan Smith but I didn’t know where it was going and it was all very disjointed and chaotic.’
Robbie, 22, who went with his friend Yan, 26, added: ‘The video screen and the acting on stage did not match up at all. It was like watching a bad movie.’
And Steph, 27, who watched it with a friend and left within the first hour, said: ‘It was boring. The music was terrible. It was a zero out of ten for me.’
But businesses near the theatre have praised the play for boosting their profits, with her ‘drunken’ tumbling in the street outside attracting onlookers.
Restaurant manager John Forte said: ‘This performance is really good for all of the businesses in Soho.
‘People are coming out to watch her fall over in the street and then they come to my restaurant and buy food and drink. The theatre is very good for business.’
Supermarket worker Tanmay Singh, 24, said: ‘The first time I saw her fall over I thought it was real. I thought she was drunk.
‘I thought this is what it is like in the centre of London – people getting drunk and falling over in the street, but now I know it is part of her show.
‘I think it’s very clever because it was like it was reality – you cannot tell that she was acting. She really looked like she is drunk.’
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Freya Barnes